Music And Movies

Here is the link to read all parts of this series. Kishore Kumar had tremendous respect for Lata and used to call her Lata Didi. They knew each other from the late 40s, having sung together for Kemchand Prakash and Anil Biswas in the late 40s and early 50s. The story of their meeting is funny, and Lata had narrated it in many places. Kishore's trajectory as a singer was quite different from Lata's, even though he had been singing since 1940s. Initially, Kishore Kumar wanted to be an actor. Most music directors of those times saw him as Ashok Kumar's younger brother who wanted to act, and not many saw him as a singer. His lack of formal training in Hindustani classical music was seen as a handicap, and through the 1950s and most part of the 1960s, he ended up singing only for the films he acted in and the films of Dev Anand.  Dada Burman and Dev Anand had a lot of confidence in Kishore's abilities as a singer, but most other music directors preferred Rafi. Also, during t...

Her is the link to read all parts of this series The 1980s, in my opinion, is when Hindi film music started sliding downwards with respect to quality. The arrival of Amitabh Bachan and the angry young man made the hero the main draw and not the music, unlike the time of Rajesh Khanna, where his romantic image was kept alive by music. Not just this factor, but R D Burman slowly losing his commercial edge, and the emergence of Bappi Lahari and Disco music led to melody taking a back seat. Though there were a lot of 'hit' songs in those times, as they are during any phase, their staying power has been limited.  This was also the time when new female voices started entering the field, and slowly, the need to have Lata in their movies was declining. Lata's voice, too, was undergoing a change, and it was not suited for the disco songs of that era. Asha Bhosle, Alka Yagnik, Kavita Krishnamurthy, and Anuradha Paudwal got to sing a lot of songs in the decade of 80s. Lata slowly decr...

(Sahir Ludhianvi) I don't think there could have been better locality than Boiguda in Secunderabad to grow up in , for it was the most cosmopolitan of all localities. A locality which was populated by Tamilians, Telugus, Anglo Indians, Marwadis and Hindi speaking folks. Populated by the rich marwadis, the middle class government servants and slum dwellers. Populated by Hindus, Jains, Muslims and Christians. Everyone was a friend. And festival ours. As kids we loved festivals for they brought with them things to eat. Thus at an early age I had tasted multiple cuisines. Of all the cuisines, I have a special affection for the Muslim cuisine. (And Telangana cuisine,especially the Bagar Annam) We used to attend Muslim weddings especially to eat. Most of us were pure vegetarians and special care was taken by our friends to ensure we got only the vegetarian stuff. The biriyani, the double-ka-meeta and what not. I still remember the wedding in the family of our local 'Dada', Jah...

(Rajesh Roshan) We spoke about music directors who did not get their due, we spoke about those who just vanished from public memory. Today we shall speak about someone who showed a lot of promise but somehow did not end up fulfilling the initial promise shown. One such music director was Rajesh Roshan. Rajesh Roshan, the son of legendary music director Roshan, started off with a bang. When movies like 'Kuwara Baap' and 'Julie' happened, people stood up and took notice. The music of Julie was on everybody's lips those days. Be it 'bhool gaya sab kuch' or 'dil kya kare' or 'yeh raaten nayi purani'. Not to mention the wildly popular English song by Preeti Sagar, "My heart is beating". None of my generation would have grown up without listening to these songs. It is not easy matching up to the legacy of a giant like Roshan but Rajesh Roshan's first steps cannot be faulted. Later Rajesh Roshan did some nice movies like 'Swami...