Music And Movies

The link to all parts of this series is given here: Series Links The later part of the 60s is an important transition era for Hindi film music. This is when new music directors started entering the field and making a name for themselves. The earlier music directors were slowly fading away. By the 1970s, this transition would be fully complete, but the seeds were sown in the late 60s. R D Burman, Laxmikanth Pyarelal, and Kalyanji Anandji - the three music directors who would dominate a large part of the 70s - had their initial success during this time. The music, too, started changing, and Lata had to adapt herself to the new music the newcomers were putting up. Of course, the earlier masters still made good music, but the trend change was in the air. Let me initially talk about Lata and Roshan before moving to the other songs of the second half of the 1960s. Like Madanmohan, whose music we heard earlier, Roshan was a genius when at producing great melodies. Lata had great respect for h...

  The link to all parts of this series is given here: Series Links In the last part, we saw the partnership between Lata and C.Ramachandra and the many hits they gave together. Another important music director (duo) who established Lata as the numero uno of Hindi film music singing was the Shankar-Jaikishen duo. Shankar-Jaikishen broke into the Hindi film music world through the movie 'Barsaat.' They then went on to rule the Hindi film music world for over two decades, churning out super hit numbers for many films. They formed successful partnerships with major heroes like Raj Kapoor, Shammi Kapoor, and Rajendra Kumar, to name a few. They were the court musicians of RK Films. They withstood competition from music directors like Naushad, C.Ramachandra, O.P.Nayyar, and S.D.Burman to remain in the top slot.  Their association with Lata started from their first film itself. 'Barsaat' was not a major milestone in their career, but the songs of that film became a major milest...

  The link to all parts of this series is given here: Series Links Though Lata's first Hindi film song, for Ghulam Haider, was in 1948, by 1950, she had already built a reputation for herself in the film industry. She was slowly becoming the number one female singer, with music directors trusting her to carry the film's music on her frail shoulders. Lata showed that she was ready to take on the responsibility and delivered hit after hit. Anil Biswas was to say, "After Lata entered the field, music directors lost their fear. Now they could compose fearlessly, being confident that Lata would deliver whatever they had conceived." By the time we enter the 1950s, we see Lata was already the emerging star. The 1950s also saw the rise was newer music directors, who would later make a great name for themselves: Madanmohan, Salil Choudhary, Jaidev, S D Burman, and O P Nayyar. The other music directors like Shankar Jaikishen, Roshan, and C Ramachandra, who had started their car...