Music And Movies

Here is the link to read all parts of this series. In this part and the next couple of parts of this series, we will talk about Lata's partnership with famous male singers: Mukesh, Rafi and Kishore. We start with the partnership of Lata and Mukesh. It is very difficult to find two contrasting voices than Lata and Mukesh. Mukesh is a mystery for many people. People accuse him of slipping from the 'sur' sometimes; he is accused of being nasal, and it is well known that his vocal range was limited. He also had the reputation of being suitable only for singing sad songs. Lata's voice was in contrast to that of Mukesh. Her range was incredible, her voice dripped honey, and she could sing any song that the music director threw at her. There is another important contrast between the two. For many music directors, Lata was the first choice. Whereas a lot of music directors were not keen on working with Mukesh, maybe they felt his range was too limited for them. So you don't

Her is the link to read all parts of this series The 1980s, in my opinion, is when Hindi film music started sliding downwards with respect to quality. The arrival of Amitabh Bachan and the angry young man made the hero the main draw and not the music, unlike the time of Rajesh Khanna, where his romantic image was kept alive by music. Not just this factor, but R D Burman slowly losing his commercial edge, and the emergence of Bappi Lahari and Disco music led to melody taking a back seat. Though there were a lot of 'hit' songs in those times, as they are during any phase, their staying power has been limited.  This was also the time when new female voices started entering the field, and slowly, the need to have Lata in their movies was declining. Lata's voice, too, was undergoing a change, and it was not suited for the disco songs of that era. Asha Bhosle, Alka Yagnik, Kavita Krishnamurthy, and Anuradha Paudwal got to sing a lot of songs in the decade of 80s. Lata slowly decr